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Ana Fuentes review

In the history of art and literature, the prepubescent girl as subject has always made us uncomfortable.  Artists such as Carroll, Nabokov, and Balthus fixed their gaze upon that liminal space between innocence and knowledge, creating in their works an exquisitely tenuous balance of purity and perversity.  Their art is entrancing, yet it makes us feel as if on the verge of something illicit.   The preternatural girls in Ana Fuentes's paintings are unsettling too, but in quite the opposite way.  Here the male gaze is absent, and so is any trace of sensuality.  Rather, it is the young girls who stare directly at us.  They may be more fully clothed than Balthus's languorous beauties, but even in their prim Victorian fashions they strike us as infinitely more vulnerable.  It is their interior worlds, not their bodies, which are raw and exposed.   Fuentes understands innocence not as the absence of knowledge but as the refusal to abandon h...
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Mi currículum actualizado al día de hoy

Curriculum  Ana Fuentes Pintora Mexico-Americana nacida en Chicago, I’ll. 1959. Actualmente vive y trabaja en Puerto Vallarta, Jalisco. México.  Exposiciones y proyectos 2022 "Do you mind if I exist"  Four women art show Project Parlor, Brooklyn, New York "Those who can see" Solo show Jovian fine art gallery, Puerto Vallarta, Mexico. LP Disc Cover for "The Mastelotto’s: A Romantic Guide to King Crimson. Austin, Texas 2021 "Do you mind if I exist" Four women art show University City Art League, Philadelphia, Pennsylvania. "Ana Fuentes New Work" Solo show VNV Gallery Victoria Park, Ft. Lauderdale, Florida. ”The Gilberto Cardenas Latin American Painting Collection " Group Show Blaffer Museum, University of Texas, Houston, Texas. 2020 "Digital Work on paper"  solo show Artz Gallery, Torreón, Coahuila. Mexico Disc Cover for "The Mastelotto’s: A Romantic Guide to King  Crimson" Austin, Texas. ”Dress me” Madd Art Gallery, I...
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