Ana Fuentes

In the history of art and literature, the prepubescent girl as subject has always made us uncomfortable.  Artists such as Carroll, Nabokov, and Balthus fixed their gaze upon that liminal space between innocence and knowledge, creating in their works an exquisitely tenuous balance of purity and perversity.  Their art is entrancing, yet it makes us feel as if on the verge of something illicit.   The preternatural girls in Ana Fuentes's paintings are unsettling too, but in quite the opposite way.  Here the male gaze is absent, and so is any trace of sensuality.  Rather, it is the young girls who stare directly at us.  They may be more fully clothed than Balthus's languorous beauties, but even in their prim Victorian fashions they strike us as infinitely more vulnerable.  It is their interior worlds, not their bodies, which are raw and exposed.   Fuentes understands innocence not as the absence of knowledge but as the refusal to abandon h...

A ñ os Luz Ana Fuentes est á dando a luz una obra nueva. Contin ú a pariendo ni ñ as, ahora se le parecen en muchos sentidos: les est á tocando el turno de moverse, de desplazarse, de vivir. Ella y sus ni ñ as son ya el centro de la escena. Podr í an esconderse en lo largo e infinito, ser la sombra o desaparecer, pero esa posibilidad ya no, han optado por estar presentes, visibles, iluminadas. Los candiles est á n ah í como mero artificio; ¿son necesarios cuando hay tanta claridad ah í , tanto a la vista? Vi a Ana decorando las habitaciones, eligiendo los pisos para dar los pasos, la vi vestida de terciopelo y encajes, y de azul cielo y naranja animada, y pintando, tan sobrada de sol. Lo que quiero decir es que esta obra que nos presenta est á a a ñ os luz –medida que equivale a dar siete vueltas y media a la Tierra por segundo- de lo que a ú n se puede medir en millas o kil ó metros. Rosa Mar í a Villarreal El Hombre del Puente The jugler When life ...